Monday, February 27, 2012

Oops! I missed posting my Daily Paintings #4 and 5


 Oops!  Here are my daily paintings No. 4 and No. 5.  I've been so busy painting that I haven't taken care of posting as I should have.

The fourth one is the white German shepherd on light blue.  It was a really difficult one, but I think I finally got it (except for that ear on the right, which I'll be fixing tomorrow and re-posting afterward).  The original of this one has already sold as it was a request by a customer, whom I told, as usual, that I don't do custom commissioned paintings, but I do accept photo submissions that I may or may not paint; and if I do, they have first dibs at purchasing it, which this customer did.  (I always do my very, very best to paint every submission I get, by the way.)

The fifth painting is the border collie at left, and is the first of several border collies I'll be doing, also from photos that were submitted to me by a customer.



Border Collie on Green, Number 6 in Daily Painting Series

This is the sixth painting in my 30-day/30-paintings daily personal challenge.  It's another border collie (and there will be more border collies to come as another person has submitted photos to me of his border collies), and this one is on a green background.  Also, this one has erect ears.  I read up on their ears, and AKC, the ruler of all things pure dog, says that the ears can be either erect, as these are, fully hanging down, or partially hanging down.  So, there you have it on border collie ears.

I'm finally beginning to see a bit of progress in my paintings - horray!  This intensive work schedule for me is so far quite grueling, gut I'm so happy that I feel I'm finally beginning to benefit from it.  I don't want to say too much, though, because although I'm not superstitious, I don't want to jinx things -- just joking.  But I don't want to get overconfident and in a way mess myself up, either.

Let's just let it stay at I feel I'm beginning to feel as if I'm making some progress in what I'm trying to achieve with this project.

As with all these project originals, this one is for sale at my website, http://www.dottiedracos.com, either as a print or as the original painting.

Sunday, February 26, 2012

Dark Grey Cat on Light Yellow background, Daily No. 3

This is the third painting in my daily painting series, and it was a challenge for me.  I realize after having painted a couple of cats lately that I didn't know the anatomy of a cat's head well enough.  So since I have quite a few models both in my own house and in my neighborhood, I've been doing a lot of sitting around, studying cats' heads.  My own cats probably think I'm pretty weird because, being a very tactile learner, I have held their little heads in my hands and felt all over them to feel the skull under all that hair and muscle.  They probably thought they were getting strange but nice head massages - no one complained or tried to leave.  Anyway, now I feel a little more comfortable about the head anatomy and am ready to tackle more cat paintings in the near future.

Still on the topic of my daily paintings, I am finding myself becoming more knowledgeable of my brushes and even my paints.  It's amazing:  I've painted for quite a number of years now, just blithely going along, grabbing whatever brush was handy and whatever in-the-ballpark paint color I needed.  Now, I'm actually (yes, I know belatedly) studying the properties of said brushes and paints.  I even did a very simple color chart of all the paints I have and actually studied their properties.  (I have a lot!!! to learn.)  And brushes, they're finally beginning to make sense to me.

My family, on the other hand, are beginning to be concerned, I think, about all the time I'm spending locked up in my studio.  Wow, 30 days is going to be a lot longer than I expected it would be.

Day before yesterday, I did take a wonderful break, though.  My daughter, son-in-law, and little granddaughter and I took a beautiful hike on one of the "Rails-to-Trails" paths fairly near where we all live.  (It was near Vernonia here in Oregon, and I'll be happy to provide exactly where it was if anyone is interested.)  It was beautiful, and I took lots of photos with the hopes of doing a landscape from some of them.  There was an old train trestle, the top of which had been converted into a footbridge, but the old beam and timber supporting structure still stood.  It was amazing to be able to study the intricate way it had been put together.  We had a long discussion about all the workers it must have taken to build it, and out in the middle of a forest, too.

Thursday, February 23, 2012

Robin Bird in Oregon Forest

This acrylic painting of a robin in the Oregon woods is second in my 30-day personal challenge to become a better painter.    It came together pretty well, and I'm happy with it.  I see a couple of small flaws that I'll probably go back in sometime and fix (as in if someone buys the original!), but for the most part I feel it came out well.  I was able to focus on the important big matters in the painting instead of getting all tied up in tiny, minute details. In other words, I didn't paint every single feather, which has often been my tendency.

Okay, off to paint the third one.  I don't even know what it will be yet; but since several people have submitted photos that I can use in paintings, I better get started on one of those!

Wednesday, February 22, 2012

Okay, I've got to get my motor running again! My personal challenge.

I've been in quite a slump for several months now.  Too many things happened over the past few months; and even though life is pretty much "back to normal," my painting has really be affected - negatively, I'm afraid.

I finally decided to do a lot of studying, which is what I've been doing with every spare moment lately, including watching a lot painting demos.  But I'm still even kind of afraid to paint now.

So I've made a big decision, for me at least.  I've decided to do my own little daily painting exercise.  Here it is:  From yesterday for the next approximately 34 days (I'm taking one day off each week), I'm going to do a painting every day and post it here -- and elsewhere 'cause I've got to make a living at the same time!  I'll be numbering each painting (that's the first one off to the left here, the little beagle with the red ball in its mouth), which I finished yesterday.

Tomorrow I'll list the one I did today, which is another Oregon-based one, of a robin in the woods.  And, yay!  I saw a robin yesterday.  I know spring is just around the corner now.  And my neighbor's daffodils are blooming like crazy, too; another great sign.  Yes, I know, this is Oregon, and it's only a trick.  But I'm going to pretend it really is almost here.  And then glorious summer! I can hardly wait!  I've even already started my summer garden indoors.  Hope they survive until I can get them in the ground!

Oh, back to my challenge:  This is a challenge just for myself, by the way, to see if I can do it -- and if it gets me going again.  I think it will.  I heard someone say just the other day (what sparked my plan to do this, by the way):  He said that a painter gains a lot more knowledge, skill, etc.,  to spend 30 hours doing 30 paintings than thirty hours on a single painting.  Well, I can't do my paintings in an hour each because, well, that's just not my nature.  But I have set a two-hour limit for each one  (so far, I've almost been able to stay within two hours and I hope to get it inside two hours by the end of my challenge.)  So wish me luck and good painting!

By the way, all my paintings and prints are going to be on my website, http://www.dottiedracos.com, if you want to purchase one of them.

Tuesday, February 21, 2012

I'm in a slump -- still

 Okay, here are the pretty good and the bad/ugly results of the two paintings I listed earlier.
I finished the bird and dragonfly paintings.  Even though it's just a little study (11x14 on canvas), I like the bird pretty well.

The dragonfly, on the other hand, leaves me dissatisfied.  Well, to me, it's still a work in progress.  The background is distracting and not flattering at all to the dragonfly.  I'll think for a while and either do something different to it -- or put it away indefinitely.

The use of oils, though, is encouraging.  I think once I get the hang of them (they behave amazingly differently than acrylics, which was quite a shock to me), I'm going to wonder why I ever did acrylics.

However, at least until I use up all my life-savings-amount of acrylics that I have, I'm going to use them for my under-painting.  They work fine for that.

Well, back to work.  I've been watching some great art videos at a website that I finally decided to plunk down the money for; artclick.tv is the site if you want to check it out.  In fact, I've been watching so many videos that my eyes hurt, I've neglected my paintings, I've become entirely overwhelmed with too many ideas and techniques and opinions -- oh my!   In the long run, though, I think I'm going to emerge from this self-enforced crash-course as a better painter.  We shall see . . . .


Friday, February 10, 2012

Oh, my! I'm working with oils!

Well, I finally decided to give oils a try.  I know; I've talked about it for a long time.  They look so appealing, what with their staying moist forever, their thickness, their SMELL!  I've been working on two little paintings over the past two days, and I think it's finally time to take a break from them because they're getting a bit muddy.
I generally don't show paintings in progress, but I will this time.  The lighting is very poor, and obviously, the background on one of them especially needs a lot,lot, lot of work.  I did the backgrounds only in acrylic, but I really messed up on the dragonfly one and just decided to fix it up after I did the subject (a bad, bad idea, by the way, because now I'm going to have to work around the oil because, as everyone knows, oil can go over acrylic but never the reverse).

 This bird, when it's finished, is just a head study I decided to try (less intimidating than dogs in a big way).  It's called a yellow-breasted chat.

Plus, I must branch out, so to speak, and do some landscapes (tree branches, get it?) and other subjects besides just pets.  I need it.  So I'm not only starting to switch over to oils (the water-miscible kind, by the way, which is a whole other story) but starting to do paintings of subjects other than pets.

The dragonfly I think will not be too bad when I get the background fixed and get more transparency into the insect's wings.  But again, I'm going to have to - very carefully, obviously, work just the tiniest bit into the space between the wings on the right with some background.  I accidentally ran the two wings together and made them too wide at their base.


Anyway, it's winter and nasty once again here in Oregon (we had a nice sunny break for a while), so it's a good time to try something new and get out of the winter rut.

Wednesday, February 8, 2012

Fawn Cocker Spaniel Lying on Blue

This is a cocker spaniel, a fawn, painting that I just finished today.      I really enjoyed this painting.  It's on a 16x20x3/4" canvas, and the sides are painted the same blue as the background.  It's wired and ready to hang as-is (no staples), or it can be framed as well.

I have it for sale on my website http://www.dottiedracos.com.  It sells for $200, plus $25 shipping and insurance.

I'm finally getting back to painting full-time again.  The next painting I'm doing is from some photos I took of a dragonfly on a fence.  I think it will be a good painting -- I hope, anyway!

I finally am getting around, too, to start painting in water-miscible oils.  I just bought a starter set a few days ago, and the dragonfly is the first that's going to have the oils.   I plan to do an underpainting with the acrylic paints for a couple of reasons:  First of all, I have a ton of them and feel I should use them all.  But secondly, and more importantly, I want the underpainting to dry fairly quickly so I can continue the painting right away.

I guess with the oils (which I haven't used in many, many years because of the solvents in the older ones), I'll have to have several paintings going at once so that the paint layers can dry a bit in between each application.

I'll be sure to report on how it goes with the water-miscible ones.  It'll be a fun new thing to try.

Saturday, January 28, 2012

American Coopworth Sheep Painting on Green background

This is an 11x14x3/4" acrylic painting of an American Coopworth sheep that I just finished.  Hope you like it.  It's looser than I usually paint, and for me, that's really a good thing.  I think I built up the form of the animal better by seeing and "feeling" the weight of the wool on its body.  It was a good painting day.


The American Coopworth sheep is a breed that was introduced into the USA in the 1970's from its original country of New Zealand. Its wool is especially valued by hand-spinners.  This sheep's portrait, my first painting of a sheep, was a pleasure to paint, and I gave it as much body and weight as I could manage on a two-dimensional surface. I'm looking forward to painting more sheep in the next few weeks. 



Thursday, January 26, 2012

Chocolate Miniature Pinscher

Here's a minpin painting I just finished for a friend.  His name is Kaiser, and he's a chocolate and tan miniature pinscher.  I'm pretty satisfied with it, but the photos I had to work from were not very clear, but they were all that were available as Kaiser has passed on.

I'm now working on a painting of a sheep - yes, a sheep.  I'm still trying from time to time to include some farm animals in my repertoire, and I took a trip to several farms around Tillamook, on the Oregon Coast and climbed down embankments and risked getting shocked by hot fences to get photos of these critters, so by golly, I'm going to do some paintings of them.  It was a fun trip, though.  I had no idea that cows and sheep were so varied in their appearances -- it's a whole new educational direction for me.  I'll post it in a few days.

Friday, January 20, 2012

German shorthaired pointer

This is a German shorthaired pointer painting I finished last week.  It's an acrylic painting on an 11x14x3/4" canvas, staples on the back only, and is ready either to frame or to hang as-is (the sides are painted the same color as the background).

German shorthaired pointers are such beautiful dogs to me.  I find the physical shape of dogs to be interesting and beautiful, and GSP's, like all shorthaired dogs, allow me to focus on the form beneath the hair rather than the hair, which often obscures that form.

The most wonderful dog I have ever had (I still can't look at photos of him after almost six years following his death) was a German shorthaired pointer and most likely some kind of hound.  He was the most intelligent, friendliest, most most most beautiful dog I've ever had the fortune to spend a part of my life with.  His name was Dune, and his adoption was quite unique.  I was at an art show, standing in line to buy a cup of coffee, when I saw this most beautiful ever dog, standing in front of me with a young man.  I had to comment on his beauty to the young man, and I jokingly said that if he ever didn't want to keep him (and who wouldn't want to keep such a beautiful dog!!!), that I would take him in a second.  The man thanked me, and we both went our separate ways.

Later in the day, I was still at the show, and the young man approached me with tears in his eyes and asked me if I was serious about my comment in the coffee line.  I was shocked, but I said of course I was.  He explained that he was a college student, living in a small apartment, and that Dune (that's the name he had given him) was a bit more than he could handle in his present situation.  Anyway, you can guess the rest of the story.

Dune and I took a bit of time to bond because he really missed the young man, who contacted me to see how he was doing but thought it best that he not see him again (I agreed with that).  But eventually, we became inseparable.  He even traveled with me when I had to go away on business.  He was a perfect gentleman in the city and a lovable clown in the country, where I lived at the time.  He was admired by all who saw him; and on more than one occasion, but many perfect strangers offered to buy him from me for huge sums of money!

I lost him most awfully.  A few years ago, he and I had traveled together to visit my mother, who unbeknownst to me, had late-stage lung cancer and didn't want me to know until I was with her.  On my arrival, I immediately took over her full-time care, actually living in the hospital with her for her last month and a half of life.  My brother kept my precious Dune in a pen in his yard as he worked full-time and was visiting our mother the rest of the time.

I went to see Dune as often as I could, and it broke my heart to see him because he was so depressed at not being with me for the first time ever.  Well, I lost my mother; and during the funeral arrangements for her, my precious Dune died (from what I don't know) - without me, feeling I'm sure completely abandoned, lost, and all alone.  I've never gotten over it, to have lost them both within such a short period of time.  Well, to this day, my sadness is unspeakable, and this is the first time I've ever written about what happened.  He was ten years old, in excellent health when this nightmare started.  Rest in peace, Mother and Dune.

Wednesday, January 11, 2012

Getting Back in Stride

Unlike I'm sure many artists, I need to paint every single day to be able to keep my confidence and abilities up to par.  From around the end of October until now, I have not been able to be in my studio enough - and my confidence level has plummeted.   I love my career more than anything else I've ever done -- or ever will do -- in my life.  I live to paint and to learn all I can about painting.  

But as much as I love to paint, there's one thing that overrides even it, and that is my family  - including extended family and even some friends -- and of course my four-legged family members, too.  So that's why I was away from painting these past couple of months.  But now it's time for me to get back to it.  

I started about a week and a half ago with a rooster painting, a bit stylized compared to my usual style, but it was enjoyable, and if felt good to have the brushes wet again.  I've finished it, and now I'm painting a German shorthaired pointer portrait.  I'm fairly happy with the painting so far, but I'm having a bit of trouble with getting just the right color.  Unfortunately, I read the AKC requirements for a GSP's color, which they descibe as pure "liver," not red, not orange, not tan, but "liver."  Well, I'm really struggling to be sure it's exactly the right color in my painting, but with a bit of time I'm sure I'll get it right.

Monday, January 2, 2012

A change of subject - for today at least

Here's a painting I did last week.  It was enjoyable but difficult at the same time -- I know dogs; I do not know roosters!  But we all need to do something at least a little different from time to time, right?  He's bright and cheery, though; I have him hanging in my kitchen for the time being.  He's going to be for sale in just a few hours at my website, http://www.dottiedracos.com.

And now back to dogs.  I have one promised painting to do, a gift for a dear friend, a chocolate-colored minpin named Kaiser, but I want to do a couple of "warm-up" dog paintings before I get started on it.  It's been a bit too long of a painting break for me.  (I still feel like one of the most fortunate of people to have a career that I love so much!!)

And I hope you all have a great, great 2012.   Happy New Year.

Thursday, December 29, 2011

My Bread Recipe

Several friends and family have asked me for my bread recipe, so here it is.  It is adapted from several recipes I have collected over the years.  It's quite simple and difficult to mess up, I promise you.

I am giving you the measurements for two loaves (each around 1.2 pound) and measurements for a single loaf in parentheses.  For economy's sake (and because I most always share the second loaf with someone else, I usually make 2 loaves at a time).  All of the measurements can be approximate, and you'll learn to adjust them to your taste as you continue to make the bread.

3 cups room-temp water (around 70 deg F) (1 1/2 cup)
1 1/2 tbsp yeast  (3/4 tbsp) (I use Red Star Active Dry Yeast because I buy it in bulk at Costco.  Fleischmann's is fine, too)
1 1/2 tbsp salt (3/4 tbsp)
6 1/2 cups flour (3 1/4)
Extra flour as needed such as for kneading and handling

Put water in a large bowl or pot, add yeast and salt, stir to mix.  Add flour and, using a large long-handled spoon, stir until completely moistened (adjust with either water or more flour to get right consistency of a thick doughy mix -- not wet but no dry clumps, either).

NOTE:  If you want to add something to your bread, now is the time to stir it in.  I've added kalamata olive bits to one, garlic and an herb to another, and caraway seeds (one of my favorites ever!) to another.  Let me know if you come up with something really interesting and good, okay?

Cover and let rise for an hour or two (check to see when it has approximately doubled or a little more in volume).  Note:  Here I usually cheat a bit and turn on my oven for literally seconds (around 20), just to raise the temperature a bit higher than my room temp and leave the covered pot in the oven to allow it to rise just a bit faster.  Do NOT make the oven more than a bit warmer than room temp or you'll kill the yeast!

If you're in a hurry, skip down to the "kneading" section below.  If you want a more complex tasting bread, which I do!!, do this next:  After your dough has risen to about double, with your big spoon, smash and stir it down again.  That is, destroy all that nicely risen dough you just created.

Let it rise again.  You'll notice that this time it rises much more quickly, so be careful and check it after around an hour or you'll have what looks like a science experiment gone awry.  (But you can use it anyway; you'll just have to scoop it up off the sides of the pot.)

Kneading:  If you've never kneaded, I'll give a brief description.  And this kneading is very minimal, by the way, and not at all intimidating.  To start to knead, put a bit of flour on your work surface, dump the dough onto it (use a spatula to scrape it out, as it sticks to the sides of the pot pretty firmly.)  You'll notice that the dough at this point has a weird open "lacy" or "stringy" quality to it - that's normal.

Okay, here we go:  Lightly dust your hands with flour (keep a cup beside you to dust your fingers or to sprinkle on your work surface), and grab the dough on the side farthest away from you, and fold it over onto itself, toward you.  Gently press into the pile, pushing away from you, with the heels of your hands.  Turn the dough a quarter turn, and repeat the folding, pushing away, and turning, about five to eight times.  The dough should feel nice and elastic (almost alive-feeling).

Next, if you're making two loaves, cut the lump of dough in half and lightly flour the cut sides.  Then pick up each batch of dough and shape it into either a long loaf shape or a round one, depending on what kind of pan you'll be using (I'll discuss that below).   As you shape each piece, gently handle it, and turn the outside edges downward and inward -- so that all the ugly creases and lumps are on the bottom.  Lightly dust the top of each with a bit of flour, and cover with a  kitchen towel.

Next preheat your oven to 450 deg F and -- very important -- place your pan(s) into the oven to allow them to get hot.  If you want artsy-looking loaves, use something like a thick cookie sheet to cook them on.  If you want more utilitarianly shaped bread, use large bread pans.

When the oven is to 450 deg, carefully remove a pan, one at a time.  (at this point, I give mine a quick spritz with some Pam, but it's not absolutely necessary.)  Set the pan near the dough, lift one dough and dump it into the pan, with the bottom side up, and put the pan immediately back into the oven.  Do the same with the second loaf.

Set a timer for around 15 to 20 minutes.  Then when the timer goes off, turn the temp down to around 435 and cook another 10 to 15 minutes -- check for doneness by a nice brown color.  Remove from the oven, flip loaves out onto a cooling rack (or onto a counter if you don't have one), let them go upside down or sideways.  Rap the bottom of each with your hand and listen for a kind of hollow sound - this indicates thorough doneness.  That's it!  Let it cool until you can cut it (if you can wait that long!!), slather it with butter, and enjoy the first piece -- which is always the best!

Obviously, I wrote this recipe for someone who does not have a lot of  bread-making experience, so sorry if there's too much detail in it for you.  But for those of you who need it, hope this helps.  If you have any questions -- or want to share your bread-making experiences, please write.

Wednesday, December 7, 2011

Long Story - We're all back in the USA now

This is a bit of a sad post, and I won't say much because it's very upsetting to my family and to me.  We are all back in the USA to live now.  Something went very, very wrong in Denmark regarding other family members there, and we found it necessary to leave.  It was our only choice. 

I won't be saying anything more about Denmark after this post.  It was a beautiful place, we all loved it very much, the people on the island where we lived were wonderful and we miss them.  We were all very, very sad to leave, but we're happy to be back in the USA now, too.

In the future, I'll get back to the original - and more apt - object of this blog, and that is to talk about art and painting and animals, and the beautifully agonizing attempts to capture what I see before me onto a canvas. 

I've not been painting much lately, so I have a lot of catching up to do.  My next project is going to be a chocolate-colored minpin painting for a very special person we met at the airport in Seattle, who went way, way above the duties of his job to help out my daughter and her family as they arrived in the USA with many of their and our pets and as much as they could carry with them.  I'll post the painting just as soon as it's finished.